CLAMM Release Debut Album ‘Beseech Me’

Melbourne’s explosive punk-trio CLAMM have shared their brilliant debut album, ‘Beseech Me,’ out now on Meat Machine (Crack CloudN0V3L). The band’s previous singles, Keystone Pols, Liar and Beseech Me have drawn support from BBC 6, DIY, So Young, Loud and QuietClashHero and more. CLAMM are like a clarion call for a generation facing an age of uncertainty, using a powerful brand of bracing punk to deliver this soundtrack for the evicted souls of modern conventions. 


CLAMM could not have come from anywhere other than Melbourne, Australia. Theirs is a city that bleeds music. Iconic bands such as Eddy Current Suppression Ring (who CLAMM opened for in 2019) and Total Control (who’s Mikey Young mixed and mastered Beseech Me) have built on the city’s history of open-hearted, fist-in-throat, fiercely independent music. Scenes centering around labels like Flightless (King Gizzard and The Lizard Wizard, The Babe Rainbow), Antifade (Bananagun) and Cool Death (Romero) have held the torch for countless groups as good as any in the world.

However, CLAMM arrived completely apart from any established scene or sound. They began playing shows in 2019, sharing bills with virtually anyone who would have them. Jack Summers (vocals/guitar) and Miles Harding (drums) had been friends and musical collaborators since early childhood. Under various banners, they performed for years with friends and siblings across Melbourne’s underground landscape. It wasn’t until they found Maisie Everett (vocals/bass) that the CLAMM picture was complete. Their quick ascension drew support from KEXPTriple JTriple J UnearthedDouble J, and Triple R as well as shared bills with the aforementioned Eddy Current Suppression Ring and Amyl and the Sniffers in 2019. 

‘Beseech Me,’ recorded with Nao Anzai (Rolling Blackouts Coastal FeverFloodlightsNO ZU), offers up ten tracks that explore the margins of fury and tenderness. Keystone Pols churns like the bowels of a factory, with an alarming guitar riff that sirens repeatedly. On the demonic 6/8 chug Repress, Jack begins a snarled plea: “I don’t want your fucking money! / I don’t want your fucking time! / I don’t want your holiday payout / I just want to be outside.” About Liar, Jack says “it’s about dealing with a voice in your head that isn’t always telling the truth.

Pointing sharpened question marks at power and oppression, CLAMM’s explicit lyrics and indignation is aimed at those who press dents into a struggling world. Despite their frustration, CLAMM also maintain a shining optimism in their ethos. Their tumultuous rhythms and fuzzed mechanical guitar are a fierce counterpoint to messages of anti-violence and self-betterment.

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With thanks to Brace Yourself PR

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