JAMES DEAN BRADFIELD
SHARES NEW VIDEO FOR THE BOY FROM THE PLANTATION
‘EVEN IN EXILE’ OUT AUGUST 14TH VIA MONTYRAY/THE ORCHARD
“It’s a record that draws you in, first with its story, and then with its songs. A wonderful break
from the day-job.” – Q
Directed by longtime Manic Street Preachers collaborator Kieran Evans, the video features James in Wales alongside archive footage sourced specifically for the video.
Kieran Evans: says of the video: “James and I have been collaborating on visuals for the record but we didn’t want this track to just be a performance piece. We wanted it to connect with Chile itself and to reflect where Victor Jara had come from, what the backdrop to him growing up looked like. I spent a long time looking for Chilean archive footage from the ’40s and ’50s, a lot of it ended up being jingoistic stuff shot by and for Americans. Eventually, I came cross a mass of footage shot by one person who’d travelled the country over a period of time and recorded all aspects of Chilean life on his cine camera. The period of that footage being roughly the years Victor was alive.“
James Dean Bradfield on new album ‘Even In Exile’: “Sometime at the start of 2019, Patrick gave me a handful of poems each of which touched on different aspects of Victor Jara’s life. When I read them, I was struck by the idea that if a life means anything, it will continue after death. That thought stuck with me and made me want to turn Patrick’s words into a record.
“One of the reasons Victor’s story chimed deeply – then and now – because as with so many other politically active people’s stories from that era, it results in death. The idea now that freedom of political thought might end in death is still too shocking to contemplate, yet we live in an age where oppositional politics leads to untold bitterness and a total lack of empathy, compromise or respect. It is so destructive, I think this period of history points to so much that’s relevant right now. And again and again, his voice returns. At the end of 2019 when I was finishing the record, people were gathering at Plaza Italia in Santiago and singing his songs at a mass protest against the government. His voice is an echo that inspires trust and guidance. Through reinvestigating his music I’ve learnt that music that is politically motivated doesn’t necessarily need to be polemic punishment, it can be poetic, personal and musically transcendent
“Growing up, Victor Jara’s name was regularly heard in music. It seemed to have a global recognition through songs by artists like The Clash, Simple Minds, Working Week and Calexico. And that carries on. Springsteen covered one of his songs recently. In terms of creating art about an artist, I was inspired by the album Mermaid Avenue by Wilco and Billy Bragg. That record took the words of Woody Guthrie and presented them in a different context, creating a loving act of artistic archeology and a fitting tribute to a great mind.”
Influenced by records and artists as diverse as Rush’s ‘Moving Pictures’, The Bad Plus’ ‘Never Stop 2’, Kamasi Washington’s ‘Heaven and Earth’, ‘The Welsh Connection’ by Man, John Cale’s ‘Walking On Locusts’, Pink Floyd’s ‘Meddle’, ‘The Marble Index’ by Nico, ‘The Beaten Generation’ by The The and the music of Alessandro Alessandroni, I Cantori Moderni and Violetta Parra, ‘Even In Exile’ was played almost entirely by Bradfield and recorded at Door To The River Studio in South Wales. It features ten original compositions and a cover of Victor Jara’s La Partida.
“I started each track with just guitar and vocal and built it up from there, this is an album that wasn’t jammed – it was quite a precise procedure of finding the right architecture for the lyrics. That meant it was never envisaged as an album I was going to take out on the road.”
James Dean Bradfield is one-third of Manic Street Preachers.
Patrick Jones is the author of the plays ‘Everything Must Go’ and ‘Before I Leave’ and the recently published poetry collection ‘My Bright Shadow (Rough Trade Books)’.
Thanks to Brace Yourself PR